A Message in Need of Translation

Not infrequently, I read books or watch films in which main characters reveal, through their words or actions, self-loathing and deep, unrelenting pain based on who they believe they are. Every time, I wonder whether the writers responsible for those characters are writing what they know. I realize these authors may simply be phenomenal writers, observers of the human condition who possess extraordinary insights into the minds of other people and who do not experience the pain they portray in their characters. But I suspect they write from personal experience and intimate exposure to the emotions about which they write. As talented and as gifted as I think they are, I can’t help but think the pain, the ugliness, the fear, and the angst that comes across in the book or film arrives to the consumer’s eyes and mind courtesy of memory, whether personal or as witness to someone else’s pain. The experiences I read about or watch may not be precisely the ones in the experience of the writers, but they are etched in the mind of the person responsible for giving them life. That’s what I think. Of course, I may simply not be as creative as successful novelists and screenwriters and playwrights, etc. If not, then my argument falls apart due to my lack of creativity.

Personally, though, I know that much of what I write rests on my interpretations of experience. The bad guys are, in general, people much like me. Not that I have done all the wrongs committed by them, by any stretch, but I am afraid I share much of their DNA. I try to redeem them by painting them as good people who do bad things. Ultimately, though, we have to accept who we are. If we do bad things, we must own them and their progeny.

That the preceding paragraphs might be considered incoherent drivel does not escape me. But hear me out. Until about three years ago, I did not consider myself a writer. I considered myself someone who liked to write. There is a difference. The former is one who speaks truth, even painful truth, by painting and describing the real world and bringing it alive through words. The latter is a hobbyist who scurries away when the pain of writing reality becomes too much. I have spent much of my writing years in the latter category. And I do not apologize for that. Climbing through a passageway consumed with flames is not something one does unless there’s a decent chance for survival on the other side. But these past few years I’ve been writing with the intent of chipping away at the stone that encases truth, even unrelenting, painful truth that burns like a branding iron.

How I write those considerations, how I make them play out, is what’s more important than who I was. Because writing about who I am and who I was will contribute to the person I will be. The future, always, trumps the past.

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The Last Smile

Maria invited him to meet her again, saying she needed to ask his advice about approaching a local political figure with a ticklish, almost accusatory, question. Based on what he later wrote in his journal, he claimed he saw through her charade, though he would play along. They met in a roadside coffee shop. She ordered a cup of chamomile tea and he asked for an espresso. After receiving their drinks at the tiny round table, he began.

“So, what’s this about questioning Tangle McIntire? What do you need to ask him and why is it so hard to ask? You’re a reporter. It’s your job.”

Jobe had a reputation about getting straight to the point, stripping away the niceties. But his words seemed to Maria unnecessarily forceful and lacking in compassion.

“It’s not that it’s so hard, Jobe, it’s that I just want to ask the questions in the right way. I don’t want him to think I’ve already made up my mind about him.”

“But you have, haven’t you? So have I. So has almost anyone within a hundred miles. It’s one thing to be an unbiased journalist, it’s another to be an idiot. Why does his opinion matter so much to you?”

Maria leaned forward and dipped her face toward the table, avoiding his eyes.

“His opinion, not so much. Yours, though, a lot.”

Jobe cocked his head and stared at the crown of her head; she continued, face down, staring at the table.

“Okay. I think it’s time we opened up about this thing. Why did you really ask me to meet you? Is there a thing going on between us? I think there is and I think that’s why I’m here.”

Maria’s head jerked upright.

“A thing? Between us? What makes you think that?”

Jobe’s face flushed. Maria wasn’t sure whether it was anger or embarrassment that brought the color to his face.

“Well, for starters, I know you well enough that you don’t need my advice about asking Tangle McIntire questions. And you’re behaving like someone with a schoolgirl crush.”

Maria stared at Jobe Streeter for fifteen seconds before responding.

“Jobe, I wanted to talk to you first because you’re my friend. My questions to Tangle McIntire are about his relationship with you.”

“His relationship with me? What are you suggesting? You think I’m gay?”

“No, Jobe, I don’t think you’re gay. But I have evidence that suggests you’re involved in a business relationship with McIntire. And that might color your behavior as moderator of the debates.”

Jobe’s mouth opened as in disbelief, then closed into a leering smile.

“Okay, you got me. We’ve formed a company to monopolize Tampa’s gingerbread market. How could you possibly know?”

“Because, Jobe, I have high-resolution video of a meeting between you and McIntire, in which you discuss awarding the Elmont Street bridge contract to JS Construction. And, though ownership of JS Construction was well hidden, I found out who owns it, Jobe.”

Jobe’s leering smile dissolved. Maria watched that smile disappear, knowing it might be the last one to cross his lips for a long, long time.

Another little vignette to add to my growing bag of goodies.

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2100

This is it, post number 2100. Okay, now that the celebration is over, let me get right to the work at hand.

Salt and sugar look damn near identical. I know this for many reasons, but let me recount the most recent event that confirms the fact. A couple of days ago, as I prepared to brine a pork tenderloin that I planned to smoke the following day, I placed a canister of sugar on the counter and opened it (the brine recipe I use for pork tenderloin uses sugar, salt, pork rub, and a bay leaf in two cups of water). Then, I took a box of Kosher salt down from a shelf and placed it next to the sugar. Between them sat the pot in which I would prepare the brine. I dipped a measuring cup into the sugar, pulled the full cup from the canister, and emptied it into the pot. Next, I poured a cup of Kosher salt into the same measuring cup and emptied it into the canister from which I had just taken a cup of sugar. Instantly, but before I could stop my hand from doing the deed, I realized what I had done. I attempted to retrieve all the salt I had dumped into the canister but, you know, sugar and salt look quite a lot alike. The next day, I mentioned to my wife what I had done. She tested the sugar for salt flavor and found that, indeed, sufficient salt remained in the sugar canister to warrant discarding all the remaining sugar.

I washed and dried the empty sugar canister and, after my wife purchased more sugar, I refilled it. The lesson I learned is this: close the sugar canister immediately after retrieving the needed sugar.

The following morning, I smoked the pork loin. We ate a bit of it for dinner that night; it was good.

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It Sounds Like Hope and I Think It Is

I spent the day in ventilation mode. Opening up my closed mind to ideas I’d rather not have entertained. That’s not a bad use of the clock that’s working hard to reach midnight. Listening to points of view that differ from one’s own is a monstrously freeing and frightening experience. Certainty, in such situations, becomes questionable. Madness becomes legitimate sorrow. Rage becomes tolerable, but only behind a cage built of hardware cloth and distance. Even people whose motives are dark and demonic and whose goals are fraught with poisonous outcomes merit examination by unbiased observers with sharp pencils and open minds.

I am so sick of darkness I could scream. And the scream, of course, would be my own voice directed at myself. For I am the purveyor of darkness. That is an ugly burden to bear, but it’s factual. Tomorrow will be a different day. Tomorrow, I will begin to wash the contents of the cesspool down the mountain. They may flood highways below me, but they won’t sully the air I breathe and the wishes I hold more dear than my life and the lives of those I love.

Together, the decent among us can reconstruct cathedrals to honesty and decency and honor appreciation for our differences and love for diversity. We’re in a post-apocalyptic world; we must behave as if the future depends on it because, most surely, it does.

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Bad Behavior

Molly was an impossible leprechaun. Impossible because, as we all know, leprechauns are delightful, mischievous little beings whose behavior on their worst days brings smiles to our faces and songs to our hearts. But Molly was different. She was, for one, female. Leprechauns portrayed in literature and stories are almost entirely (and quite possibly always) male. And, though she cobbled shoes, she loathed her job because it entailed working with her nose in footwear that reeked of sweaty, unwashed feet. She eschewed the traditional green outfit, too, opting instead for cobalt blue, decorated with orange and yellow starburst designs. Perhaps most surprising of all was the pot at the end of her rainbow. Instead of gold, it was filled with dried rabbit-pancreas-parts. When asked why she loaded her pot with dried pieces of dead rabbits, Molly scowled and bared a set of sharp pointed teeth, sending the inquisitor away in terror.

Jim Dandy, a carnival barker turned real estate broker, came upon Molly one hot November afternoon. He asked her to repair his obscenely expensive ostrich cowboy boots. Molly flashed with anger. She opened her impossible leprechaun mouth and, with her razor-sharp teeth, seized Jim Dandy’s left arm just below the elbow. Molly shook her head side-to-side in a frenzy, the way dogs do when trying to wrest a rope from their masters’ grips. The motion of her head, coupled with the sharpness of her teeth, had the effect of tearing Jim Dandy’s lower arm from his body.

Now, all of this took place in a crowded public park in Berlin, not the kind of place one normally encounters leprechauns. Fortunately for Jim Dandy, a German civil servant named Gunther Schubert sprung into action, slapping Molly hard with his right hand, sending her flying backward. Gunther grabbed Jim Dandy’s right arm with one hand and the bottom portion of Jim’s left arm with the other and rushed to the DRK Kliniken Berlin, where orthopaedic surgery is as common as Berliner kartoffelsuppe mit knacker.

“That is impossible,” the surgeon shouted, as Gunther told him the story of Jim Dandy’s leprechaun attack and Gunther’s heroic intervention.

“That is impossible! That is impossible! That is impossible!”

Jim Dandy heard the surgeon’s repetitive shouts for what seemed like an eternity. But, finally, Jim awoke from the dream in a state of confusion. Covered in sweat and panting like a dog in a hot car, Jim pondered what he had seen and heard. He swung his legs off the side of the bed, slid his feet into his slippers, and stood up. He turned to look at the cage in the corner. She was still there. Molly, his rainbow rabbit, sat munching on a carrot. The German potato salad Jim had placed in the cage the night before remained untouched. The dye Jim had used to color Molly to go with his Halloween costume had faded considerably from her white fur, but the starbursts remained visible against a dull blue background. Next to her cage, Jim’s ostrich boots, worn and bedraggled, seemed out of place.

Molly looked up at Jim. He would have sworn she smiled at him, revealing teeth like razors. In her eyes, Jim thought he saw rage.

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Something to Occupy My Fragile Mental State

20161115_203241“Senator, I have maniacal plans for after the revolution. And you will play a significant and deeply crimson part in them; your crimson splash will be an especially welcome sight to the people you injured with your policies and your greed. I expect you will be surprised to see the brigade pass beneath your windows, but even more shocking will be the pitchforks and razor-sharp machetes. Be forewarned, mi amigo, Desiderata and his minions will cause you struggle and strife and, ultimately, will extract the final price for your arrogant display of sociopathy.”

So said the note attached to the missive sent by Express Mail to Senator Bobolink Trazsmucker a week after the fated election. The message, mailed from New Port Richey, Florida, was difficult to decipher. Megan Carmunkle, Trazsmucker’s chief of staff, wrote it off as a prank. But Senator Trazsmucker was terrified. So terrified, in fact, that he sent Governor Rectomscott this message:

“Governor, I believe my life has been threatened. Please do what you can to afford police protection to my family and me.”

Rectomscott responded to the plea with a message of his own: “Senator Trazsmucker, your request will be handled in the order in which it was received. Please be patient while the State of Florida responds to literally tens of millions of citizen questions posed long before you had reason to ask yours and well before you and your wife were married and, later, divorced. Actually, the questions began the moment you were born. The first question was, ‘why’ and we have yet to answer it.”

Just as Trazsmucker was about to dash off his enraged response, a red-hot branding iron, thrust upon the top of his bald scalp, seared the following message into the crown of his head: Live, from New Port Richey, it’s your worst nightmare.

[Author’s note: Yes, I realize some of you might think I’m crazy. And you may be right. I may be crazy. But it just may be a lunatic you’re looking for. ;-)]

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Characterization

I had a conversation with a friend yesterday morning, over coffee, during which we discussed writing. During the course of the discussion, she mentioned someone with a military history, a person who served as the inspiration for a story she wrote. That comment, in turn, reminded me that I’ve been thinking of writing a story based on a the experiences of a person, with a military connection, who I’ve watched evolve, online, for several years. I got excited about the idea again. But later I began to question all the other stories about which I was “all fired up,” only to write and never finish them or finish them and wonder why I did. And then, it occurred to me; I have to know my characters’ motivations, inside out, in order to develop a plot sufficient to warrant keeping my attention, much less a reader’s attention. So, I’m going to ascribe a lot of attributes, including personal history, to some of my favorite characters, people I’ve written into being in stories and vignettes. And I’ll see if some of them come to life in ways that suggest intriguing plots that allow their personalities to come out and carry me, and prospective readers, to places we want to go.

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Fact or Fiction or Something in Between

I considered writing about the upcoming Trump presidency and its likely aftermath, but decided against it because my book would certainly be seen as a knock-off of one written by Sinclair Lewis and published in 1935. It Can’t Happen Here describes a populist elected to the presidency after successfully inciting fear and promising a resurgent economy, dramatic social reforms, and a return to traditional values; he claims to be a fervent patriot and stirs up nationalist sentiment. After his election, and with the help of a paramilitary force, he takes complete control of government. There’s no point in going through the entire plot; obviously, the outcome is ugly, though.

Of course, real life will not follow the fiction, right? I mean, this is America, where our system of checks and balances would not permit such a thing to occur, right? My guess is that Trump also read It Can’t Happen Here and considered how best to overcome the circumstances that led, in the book, to the fascist’s ouster and civil war. Many other people, of course, have suggested similarities between Trump and the fictional Berzelius “Buzz” Windrip of the book. I see far too many similarities to think it impossible that a minority of voters in the last election may have elected the 45th and last President of the United States. Some may think my view paranoid; maybe it is, but I am not as certain of the invincibility of the United States as those who think such a scenario impossible.

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In Memory of Gwen Ifill

When I want real news, real information, I turn to PBS. Though Bill Moyers and Jim Lehrer cemented my appreciation for PBS, I think I became addicted to the PBS Newshour because of Gwen Ifill. I sensed an exceptional commitment to honesty in the woman. She was, to me, the Walter Cronkite of recent television journalism; I believed her and valued her because I trusted her. She tethered me to truth and shielded me from the sensationalism that is so prevalent in other media. I don’t discount her co-anchor, Judy Woodruff; but it was Gwen Ifill who was my favorite. And I, rabidly anti-political in many respects because I tend not to trust politicians, loved Washington Week. How she captured my attention so that I tried to watch every Friday evening, I don’t know. She and her panelists talked rationally about issues that really mattered; maybe that’s what mattered to me.

Almost the entire PBS Newshour tonight was dedicated to her life and its impact on her profession and society. I watched it, but I am glad I recorded it, as well. I suspect that touching program will provide solace from time to time as I watch it again.

I’m saddened at her death. I have fond memories of Gwen Ifill and I know there is a deep, empty hole in the PBS Newshour that will be hard to fill. Hari Sreenivasan, who has been doing a fine job in her absence, may be her successor. If so, he will have incredibly big shoes to fill.  I wish all of Gwen Ifill’s friends, family, and legions of fans the best in dealing with the grief of her loss.

 

 

Posted in Death, Memories | 1 Comment

Someone Else’s Memories

A few minutes ago, dressed only in a t-shirt, gym shorts, and rubber flip-flops, I scurried outside with my camera, in forty degree temperatures, to take a picture of the Super Moon. My attempt to capture an historical event was unsuccessful; an uncomfortable endeavor. Trees blocked much of the view, incompetence with the intricacies of a mid-range camera assured my effort’s failure, and the chill in the air made the effort spectacularly uncomfortable. But my eyes, unaided by technology, marveled at what I saw. Despite the fact that the spectacle’s zenith won’t occur for two hours, I was impressed. Last night, when the moon was high in the sky, I viewed it through binoculars; an absolutely stunning experience.  But that’s not what’s top of mind this morning, is it? No. Reading and writing take that spot, as always.

I’ve just finished reading a memoir written by Michael Mewshaw, who taught the only creative writing class I’ve ever taken. Mewshaw, only ten years older than I, taught the class while I attended the University of Texas. I don’t remember which year; I suspect it was 1974, but it could have been any time between June 1972, when I enrolled, and December 1975, when I graduated. Mewshaw’s memoir, If You Could See Me Now, is a riveting read. In it, he delves into a youthful love affair with a pregnant woman and, years later, the aftermath when a thirty-year-old adopted woman searching for her birth parents comes calling. His experiences, though utterly different from my own, gave me reason to remember my past. The pain he felt, early on and years later in confronting memories, struck a chord with me.

Reading the book brought back vague memories of reading two of his early novels, Walking Slow and Man in Motion. The memoir clearly illustrated that his life served as fodder for his earlier work; read Man in Motion and If You Could See Me Now and you will be dumbstruck by the parallels. Those vague memories—coupled with what I now realize were real experiences that contributed to his fiction—unearthed some recollections of my own that might prove worthy subjects for my writing. Another writer—a woman who spoke during a few events I attended more recently, asserted that writers must “write through the pain” and must “tell the story, regardless of how much, or who, it hurts”—suggested we cannot let fear silence our stories. I’m not there yet. I cannot unleash unreliable memories on people who don’t deserve them; at least, not in nonfiction. But I suppose I’ve been doing exactly that in my fiction for a long time. I’ve been intermingling memories with creative imagination for years. Reading Mewshaw’s memoir, after having read some of his fiction, revealed to me I’m not alone in that stew.

I’ve muddled with this post for the better part of an hour. Three paragraphs an hour; that’s writing slow. Maybe another foray into the cold morning air to look at the Super Moon is in order. Another cup of hot, black coffee most certainly is.

 

 

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Starved for Beauty

20161112_152326The remnants of something once beautiful. The residue of time, evidence of its harsh treatment of apathy and impudence.

We cannot realistically aspire to lofty ideals if we are unwilling to invest the hard work greatness requires.

Changing the world requires changing, first, ourselves. And that necessity is unreachable when one finally, in one’s later years, realizes transformational change can be successfully accomplished only in youth.

But youth is a period in which change is natural, gradual, almost imperceptible. Radical change, mind-altering change, requires the experience unavailable to youth.

That’s the paradox.

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Turbulence and Talismans

Reading some of my own writing in the evening gives me a brief respite from the chaos. The turbulence of the past eighteen months continues to twist my gut and make my neck and shoulders ache as if acidic poison fills the spaces between muscle cells. But I can escape with my own words. For example, I read a piece I wrote just over a year ago, near the end of September,  in which I invited readers (and myself) to ponder on the life experience of an ingredient in a recipe. More specifically, I suggested pondering on the experience of an ingredient that moved of its own volition. I recommended a shrimp. Reading that piece took away the anxiety that dogs me most days, thrusting me into a different vortex of turbulence.

That different vortex of turbulence is the one I’ve found fascinating my entire life: the nature of existence and experience. And I’ve found that certain things that have meaning to me can change my mood or my belief in the likelihood of an event occurring. Talismans. You know, like a rabbit’s foot. But in my case, it’s my pocket knife. Not just any pocket knife; only the one that reminds me of the one my father carried. I’ve written about that before, haven’t I? No need to bore my reader nor myself with another recollection. But my memory of my talisman makes me wonder: do other people (people like me who do typically believe only in the real world) assign meaning and power of some sort to inanimate objects? I bet I’m not alone. I bet I’m not alone in my deep embarrassment at admitting that fact, either.

Last night, when I wrote the temptation and promise I never fulfilled (I can be an absolute asshole, and I know it), I expected I’d be able to get over my juvenile attitudes for that post. But, apparently, I haven’t. So I’ll end this diatribe by saying something I really mean, with all my heart and soul and every fiber of my being:

I want nothing more in the world than for people to be compassionate and to act with compassion. Literally, that’s my final wish. That goodness will somehow flow over us like a wave and we will be compassionate and understanding and tolerant of every person, regardless of belief, experience, characteristic, or plan.

With this knife I hold so dear, I pledge myself to trying to live up to my expectations of myself. This is so damn hard. My final Facebook post may have been yesterday. And my final blog post may be today. We can never know, can we? Regardless, may we all dwell in compassion and peace. I care about what we’ve done to ourselves. I hope we can find the cure. And, by the way, I love you. I will continue to write what I think and feel. It’s the only way I can stop myself from using that treasured knife to slit someone’s throat, maybe my own.

 

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Decency and Peace

Last night, I suspended my Facebook account, perhaps for the final time. Though I’ve ‘threatened’ to get off Facebook for quite some time, and have taken plenty of breaks, it feels different now. I’ve spent the last few days glued to the television and news feeds on Facebook, only to find more and more and more vitriol and venom and loathing and hate. And, on occasion, I was part of it. And I despise that I’ve allowed myself to become accustomed to that. Though it bothers me, deeply, I’ve grown accustomed to it. It has become part of the social threads that weave the fabric that encircles me, defining my shape; and I do not like the cloth that drapes my brain, telling the ugly story of who I am. I need time and space and distance to help me explore my own depths; or my own shallows. I need to breathe in purified air and listen to voices of humanists and philosophers and gentle souls who might guide me to a place of peace.

The problem of finding peace is this: the search for peace requires intellect. Intellect seems to have become a target for the scorn of people who neither have intellect nor any interest in acquiring it. And there it is again; even in my search for solace and peace, I am able to heap indignities on people who may simply not have the same capacity to understand as do I. Or, perhaps, maybe they have the capacity and it is I, instead, who lack the capacity for understanding their plight and their motives and their reasons to behave in ways I find appalling and oppressive.

In my view, if there is anything of value in religion it is this: religion (at its best) articulates goodness and defines behaviors that express goodness. The underlying stories that suggest that decency arises from one ore more deities matter far less than the expression of and the utterance of what constitutes, and defines the value of, decency.  Again, in my view, the far more crucial and fundamental message of religion is the requisite behaviors that constitute humanity, rather than the beliefs that predicate religion. When I hear evangelical preachers suggesting that the literal interpretation of the Bible is the only path to salvation, I feel a strong inclination to euthanize them. Not because I think they are bad people, but because I think they are grooming others to be bad people. I know that’s a nasty thought; but I’m trying to be honest here. And I understand, too, that my words across paragraphs argue against the precepts presented in others. I acknowledge that dichotomy of my thought processes. I wish I knew. I think I do. But I don’t.

Here, in a nutshell, are my beliefs about society and our responsibilities for humanity. You need not read them now; you have important things to do like feed yourself and clean yourself and sleep and walk miles and miles and miles into the woods. These beliefs might take you (and me, for that matter) years to comprehend. And comprehension may never come. But here goes:

Okay, I’ll pause to replay an edited post of one I made on another of my blogs years ago:

I suppose it’s possible that we’re all living lives of mass hysteria. Nothing is real. It’s all imagined. The daily drudgery, the surprise birthday parties, the unexpected attraction to happily married women who return the favor. It’s all fantasy, hiding the reality buried deep under the dry, gritty sand.

I listened tonight to “Take This Waltz,” a Leonard Cohen classic, and I wonder why it seems true and final.

Take this waltz, take this waltz, it’s yours now, it’s all that there is.
With its very own breath of brandy and death, dragging its tail in the sea.
My mouth on the dew of your thighs.
I yield to the flood of your beauty, my cheap violin and my cross.

The thing, the unexpected yet utterly unsurprising thing is that it’s all fantasy. It’s all artificial. It’s all built from plastic made especially to assuage the bewilderment of the ones among us who question the legitimacy of the corporate elite. We are products of our imaginations, either smooth and elegant or crusty and brittle, inelegant remnants of people who never should have been.

But here we are, back at the beginning. I am off Facebook for at least awhile to try to recapture whatever might be left of my sanity and my decency. The vitriol on Facebook makes me want to euthanize half the population (plus 50%), so following my Facebook friends is dangerously unhealthy.

Forgive this manic-depressive post; that’s who I am, dear reader. I’m not proud of it, but that’s the ugly beast beneath my geezer face. And long hair. And earring. Am I attempting to regain a youth I do not recall? That’s a question for another lifetime. Or maybe later in this one.

Posted in Philosophy | 3 Comments

Novel Plot

Right wing president elected

On inauguration day, just hour after inauguration, one or more “accidents” kills new president, vice president, speaker of the house, and other Republicans in line for presidency.

At the same time, the Republican majority senate suffers some blows: Republican senators from states with Democrat governors also suffer surprising accidents and death.

Bottom line: Democrats take control of White House, Senate, and Congress; a complete turn around.

Figure out: what states with Dem governors have Rep senators. Figure out line of succession so that Dems take control immediately.

Of course, Repubs will fight this. Therein lies the tension. And there are other, more sinister uglinesses taking place behind both Dem and Repub groups. Maybe a progressive liberatarian type ultimately takes control .

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Leonard Cohen: I Have Lost My Only Hero

A man I never met, but saw perform once, has died. Leonard Cohen, the man whose poetry and music molded me like no other, is dead. Believe me, I do not worship celebrities; I scoff at hearing of people who cry or otherwise emote over the death of movie stars and the like. But tonight, on hearing of Leonard Cohen’s death, I cried. I wept. My wife tried to console me, but I could only continue weeping, wishing I had been his friend.

I wish I could have spoken with him about life and love and death and remembrance and disease and hatred and acceptance and a thousand other topics. When I listened to his music or read his poetry or prose, I felt like the man understood me like no one ever has. I felt like I lived through his words. My emotions were practice for the way he described them with his words. He was a genius, a man who understood emotion better than anyone understands language or art or mathematics.

Tonight, especially tonight, I am grieving for the loss of a man I will always consider the mentor and guide I never met. Leonard Cohen, your life meant so very much. It meant more to me than you, or anyone, will ever know. I survived thoughts of suicide because of you, my friend. Your words were never dark to me. They were light in the form of love.

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Vitrectomy

In just a short while, my wife and I will make a trek to Little Rock with my sister-in-law for the latter’s eye surgery. She is having a vitrectomy to correct a macular hole. Post-surgery care requires the patient to stay in a face-down position for a week or more. To assist in that harder-than-I-would-have-imagined task, my sister-in-law arranged for rental of a chair and assorted ancillary devices to help maintain that position. In my opinion, one of the most difficult circumstances involved in face-down behavior is apt to be sleeping on one’s stomach. Another device, which raises the head slightly and provides cushioning and a place to put one’s face (to allow breathing), will help in that endeavor. My wife and a friend of my SIL’s will assist during the course of the next week or two, as will I when needed/wanted. I feel for my SIL, having to undergo the surgery. The alternative, though, is gradual or not-so-gradual blindness in the affected eye, which makes the decision to have the surgery an easier one.

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Sounds Like Anger With A Marshmallow Center

The sound a scalpel makes as it slices through skin is quite faint. But properly calibrated listening devices affixed to video cameras can hear and record the sound in parallel with video images. Tiny video cameras, attached to the scalpel just behind the blade, capture the intersection between stainless steel blade and flesh at precisely the moment the cut is made. Listening to the amplified sound while watching greatly magnified high definition video of the surgery is akin to skating on the end of the knife.

My first opportunity to participate in this incredible experience was on the occasion of the amputation of Elmo Squiggle’s tiny hands. Several noted psychiatrists had recommended the surgery as a means of restoring decency to the American spirit in the aftermath of Squiggle’s disastrous presidency.  But the surgery did little to calm the man’s rampant narcissism, thus the impact of the dual amputation was not as ‘huge’ as hoped. Subsequent to the unsuccessful surgery, Timothy Skulptamere, who was the brand manager for Squiggle Pharmaceuticals/ Squiggle Vaginal Exploration as well as the neurosurgeon tasked with finding a more impactful route to recovery, offered an alternative: lobotomy. “While a transorbital lobotomy will not cure his schizophrenia, the psychosurgery will give him, and the American people, a far greater sense of serenity,” Dr. Skulptamere explained. “We can use Squigglefy to arrest the psychotic symptoms after the lobotomy.” Some medical professionals objected to the use of Squigglefy, saying Skulptamere was simply promoting a Squiggle Pharmaceauticals‘ branded version of aripiprazole, naked capitalism in its worse form. Despite reservations among the medical community, though, the decision was made: Squiggle would be lobotomized, the reverse of what his pre- and post-presidential rants had done to the American people.

The same device used to record the audio and video of Squiggle’s hand surgery was used in connection with the ice pick surgery (so called because the originator of the transorbital lobotomy used a tool, the orbitoclast, that resembled an ice pick). It was during the procedure, broadcast live on closed circuit television on large screens in the theater overlooking the operating room, that I noticed what appeared to be tiny circuit boards adjacent to the point at which the tip of the orbitoclast was breaking through the thin bone behind the eye. At that instant, I heard a distinct buzz and high-pitched whistle, as if the tiny circuit board was active.

Being a dedicated investigative reporter, I could not let that sight and sound go unexplored. I demanded Dr. Skulptamere stop what he was doing for a moment while I replayed, in hyper-slow motion, the videocast to the point at which I had seen the tiny circuit board. Because of my position as an investigative reporter; he had no option but to accept my legitimate order. Using a macro-enlargement processor, I got a close up view, magnified one thousand times. There, as clear as a bell, was a circuit board just two hundred micrometers wide. Printed across the bottom were these words: “Property of Squiggle Pharmaceuticals; programmed by Timothy Skulptamere.” As I watched frame by frame, I saw beyond the circuit board, through the hole made by the orbitoclast; there, where a brain should have been, was an extraordinary complex of computer chips and drives, all miniaturized in the extreme.

Following completion of the sham lobotomy, I interrogated Dr. Skulptamere at length. He revealed the entire ugly history of Squiggle’s transformation from human to humanoid and the manufactured device’s ascendancy to the presidency. Squiggle became simply a product of Squiggle Pharmaceuticals, used to maximize the company’s revenue. Before clamming up and calling for his lawyer, Skulptamere claimed the entire plot had been hatched by Squiggle’s campaign manager. I reported my experiences to Glynda Ifillatank, the anchor of the Public Bereavement Service News Hour, who promised to report on the matter that evening.

Evelyn Ivanna Squish—Squiggle’s campaign manager, attorney, and courtesan—responded as expected when Ifillatank questioned her on air about Squiggle’s robotic nature: “Glynda Ifillatank, you broodish dark animal, you pray to satan every night at midnight and drink the blood of slaughtered children. No one believes a word you, nor anyone like you, say.” Glynda Ifillatank, finally fed up to the gills with racist comments directed at her, used a claw hammer to club Evelyn Ivanna Squish until her brains melted into blood pudding.

At least that’s how I recall it playing out. But I may have been hallucinating, as I often do. Actually, I don’t think Squiggle made it to the White House. He was incinerated, on the way, by voters’ seething rage at his very existence.

 

Posted in Absurdist Fantasy, Fiction, Writing | Leave a comment

Witnessing Whiteness

My wife and I are participating in an educational exploration group designed to help participants “rewire” their visible and hidden racist tendencies. Our involvement in the group arose from a presentation about racism that caused us to acknowledge that, despite our best intentions, most white people harbor racist attitudes and exhibit racist behaviors. Beyond that, systemic racism continues to flourish. I recognize, as I think most people who think about it do, that individual and systemic racism do exist, but I am learning that it retains far more power than I thought. And, as much as I had hoped that I personally had overcome my own racism, the evidence suggesting otherwise is strong.

First, I took an online Implicit Association Test designed to measure racial preference. I assumed my result would indicate I have no racial preference. Instead, my results read as follows: “Your data suggest a strong automatic preference for White people over Black people.” That was a real shock.

Second, I’ve just completed the first two chapters of a book entitle, Witnessing Whiteness: The Need to Talk About Race and How to Do It, by Shelly Tochluk. In the first two chapters, Tochluk discusses how white people, even those (who I believe are in the majority) who really want racism to be a thing of the past, fail to adequately confront how their own identities impact racism. She suggests we have what she calls a “dis-ease” with our own whiteness and we respond in one of several ways: 1) assuming equal protection laws have solved racial inequities; 2) deciding that, because race is not a real but, rather, just a social construct, we don’t have to confront our whiteness; 3) shifting our attention to ethnicity, replacing race; 4) claiming to be “color-blind;” or 5) claiming to be trans-racial or post-racial. Tochluk goes on to say that white people face their whiteness and what it means; she suggests that only by facing our “dis-ease” with our whiteness can we truly work toward rooting out racism.

Though I’m only part way through the book, I see a lot of promise. In the second chapter, she discusses some of the forms of dealing with the “dis-ease: with whiteness can take: 1) the savior complex; 2) the superiority complex; and 3) uncontrollable sympathy/pity. She then suggests two approaches that push people beyond being a racist, an unconscious racist, or a guilty white person. One is to be an abolitionist, who understand that race is a social construct and can, therefore, be deconstructed. The problem with that approach, she says, is that it provides for an end-point, beyond which we no longer need to worry about the problem. The alternative model she suggests is to become a white ally, a person who becomes comfortable with their white identity while helping others identify and correct both individual and systemic racism.

Though I think Tochluk’s approach has very good potential, I will wait to judge until I finish the book. That having been said, I question relying exclusively on the writing of a white woman to adequately address questions of racism and how to deal with it. From my perspective, I think conversations with black people who have given the matter similarly deep thought and study would be required. However, I gather that Tochluk has worked extensively with people of color. In her writing, she readily admits to making all manner of mistakes in her early career as counselor and teacher and gives credit to black co-workers and friends who educated her on how her perspectives had to change to give her credibility in those communities. She is a leader of a group called the Alliance of White Anti-Racists Everwhere (AWARE); I looked them up online and found an essay by S. Pearl Sharp, a black woman. I could not tell from the essay exactly how Sharp felt after attending an AWARE meeting as the only black woman in a room full of whites seeking to heal their own attitudes.

Back to my own racial issues. I discovered in reading the first two chapters that some of the flawed approaches to “fixing” racist behaviors described some of my own behaviors. And several of her comments caused me to question how I could miss realizing how my attitudes and behaviors might come across in my interactions with people of color.

From my reading of the book so far, I think it’s safe to say I have a lot more to learn.

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Sepsis

I went to sleep last night in a different country. I awoke this morning in this one. This country, in which wolves are hunted for their feet; chopped off and hung from belts as talismans to fend against demonic marauders. This country, in which stabbing someone in the throat for the offense of using the ‘wrong’ fork at the dinner table is not only accepted but encouraged. Last night, I went to sleep in the country that has been my home for my entire life, but I woke up in New Septica. How could that have happened? What manner of necromancy spins one through time and space? Perhaps this story will answer my questions. But, more likely, it will simply add to the confusion.

New Septica exists only amidst the detritus of failed states. It is a place in which the putrid stench of corruption fills the hot,  humid air. Decomposing corpses of children litter the roadways. Old women, their youthful beauty defiled by time and bad choices, wander back alleys in search of scraps of food not yet sufficiently tainted to be poisonous. Gnarled old men, the sounds of their violent, convulsive coughs echoing against the glass facades of tall buildings long since abandoned to decay, limp along once-majestic boulevards.

The question, of course, is which reality is the normal state? Are compassion and decency normal? Or are they aberrations in a universe in which loathing and depravity reign? I pose these questions in an effort to understand whether normalcy is a state of being to which one should strive to achieve or, conversely, one which should be avoided at all costs. I suppose it depends on the country in which one awakens.

Warren G. (for Gamaliel) Harding, during the 1920 election following World War I, placed normalcy in a favorable light (and exposed his adoration of alliteration).  He said:

America’s present need is not heroics, but healing; not nostrums, but normalcy; not revolution, but restoration; not agitation, but adjustment; not surgery, but serenity; not the dramatic, but the dispassionate; not experiment, but equipoise; not submergence in internationality, but sustainment in triumphant nationality.

But what is normal in New Septica? What would Warren have said after the War of the Words in New Septica? We have no way of knowing. Warren G. Harding is long since dead, having died in office. And, I might add, he did not live in New Septica. But if his doppelgänger had slipped out of 1920s USA into the future New Septica, he might have said this:

New Septica’s present need is not histrionics, but hooliganism; not negativity, but nihilism; not revisionism, but  revulsion; not anger, but acrimony; not spite, but scorn; not the tense, but the terrible; not equanimity, but evil; not to swim in serenity, but to sink in sloth.

In an ideal world, I would have awakened in the country of my birth but, instead, I awoke in the country that wants to kill me. I awoke to take into my lungs a toxic mix of orange sulphur and methane tinted green with copper sulfate. This poisonous vapor clouds my thoughts and stings my eyes. To cope, I must sharpen my teeth and my resolve so that I can tear into the flesh of the beasts stalking me and rip them into bloody whimpering strips of muscle and tendon. And a good day to you!

Posted in Absurdist Fantasy, Fantasy, Fiction, Writing | 2 Comments

What Would You Do?

Imagine a set of conjoined twins. One has physical and behavioral problems that require constant therapy. The other, consumed by full-on psychosis, is a very real threat to his twin and to the nurses that tend to him; keeping sharp objects out of his grasp is necessary to protect his sister’s life and to ensure the nurses aren’t stabbed or sliced or otherwise injured or killed. Surgery to separate the twins will surely result in the death of one of them. The doctors and the parents must decide which one will live and which will die. But the father wants to save the demonic twin, while the mother wants the other one to survive. So, ultimately, it’s up to the surgeon to determine which twin will be given the opportunity to thrive and which will succumb to the scalpel. That decision will have implications far beyond the obvious. The surviving twin’s impact on others must be considered. How will the survivor influence people with whom he/she interacts? And what of his/her progeny?

Given the difficult choice, which role would you choose: mother, father, or surgeon?

Another scenario for you. A mother has just given birth to sextuplets. Through the miracles of modern medicine and the new science of “assured prediction,” you are privy to knowledge that one of the six children (but you do not know which), if allowed to survive, will one day set off a nuclear device that will kill ten million people. The ONLY way that can be prevented is to kill all six babies before they reach their first birthday. What’s your choice (your only choice): kill five innocent babies and a future murderer or take responsibility for the future nuclear annihilation of ten million?

Let’s try another. You know of Hitler’s rise to power and its horrible consequences when you are taken back in time and space to 1924 Germany. With clear knowledge of what he would do in the future, you find yourself alone with him one evening. You have a loaded pistol. You could use it to kill Hitler or you could decline the opportunity; in either case, after making your decision, you would be transported, instantly, back to the present. Your terrible choice would be to either murder a man who had, as of that moment, done nothing sinister or choose to allow him to live, knowing he would be responsible for the deaths of six million Jews and countless others in the years to come.

Now, of course, we do not have the benefit of knowing the future outcome of decisions we make today. But we do have some historical perspective upon which to base our assessment of current events. The difficult aspect of our lives in such situations is determining whether something simply looks like history repeating itself or is, in fact, a replay of history.

My mood this morning is not much better than last night, but it has improved slightly. Last night, I was certain Donald Trump had killed and filleted the last vestiges of the American experiment and was preparing to boil them in kerosene before swallowing them with an acid chaser. This morning, I believe it’s still possible the bastard has not won over enough mean-spirited pigs to lay claim to the White House. Regardless, though, he and his followers have changed the face of America. They have ripped away the veneer of decency to reveal an ugly soul that cannot be fixed through the usual means. The only possible cure requires the cancer to be removed. That’s not done gently. Surgeons don’t ask cancer’s permission; they use devastating chemicals and sharp scalpels.  What, exactly, will that work entail? And who has the unmitigated gall and the amazing decency to do the dirty work of cleaning up after a cancer spill?

Posted in Philosophy | 2 Comments

Profound Gratitude

If you are reading this, you must know I love you. You are among a tiny, almost nonexistent, band of people who find my words valuable or, at least, not intolerably offensive. I write this blog to free my brain of thoughts it cannot properly contain. And here you are to receive them. You are magical. I love you. I do. I don’t know why you are here, because I know you have better and more fruitful places to be. But I thank you. And I wish I could tell you why I write what I write, but I simply don’t know. Thank you, anyway, for allowing me to capture a part of your day that might better be spent on yourself. Your generosity is stunning. I wish I could give you something of equal value, but all I can offer is profound gratitude.

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The Comedies of Rage

Win or lose, an emphatic obligation to engage in mass preemptive euthanasia becomes more apparent with each rising sun. Poisoning the water supply in key conservative districts as a means of correcting the abuses of gerrymandering. Explorations into the potential mental health benefits of selective cannibalism, provided one doesn’t choke on the putrid flesh.

These are ideas for stories. Not plans. Just to clarify.

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Negative Space

Negative space. That’s an interesting concept. The term refers to the space around and between one or more subjects of a visual image; it’s the space that surrounds an image. To an artist—and others who understand the concept in an even more abstract and intellectual context beyond the visual—negative space helps define and articulate the boundaries of the subject, i.e., the positive space. When I see negative space used in art, its use is clear and unambiguous. But negative space in literature and rhetoric is sometimes almost invisible (pardon the pun). Yet absence can be the most emphatic amplification of nuanced presence. A passage in which a woman stares intently at an empty crib, her eyes brimming with tears, can say more than a lengthy exposition in which a child is taken from that crib and placed in a casket. Negative space gives the reader or the viewer or the casual observer an opportunity to become an active participant in the “performance.”

An unreturned kiss. A glance into someone’s eyes that is not returned. An acerbic comment that prompts no reply. These are negative spaces that can, when used effectively, evoke more emotion than long, expressive paragraphs. Literature can learn from the visual arts. And the performing arts. It’s a matter of translation and adaptation. I wish I were more knowledgeable about ballet and modern dance and visual arts in general; they could teach me a thing or a thousand about writing. Despite my devotion to over-long sentences and paragraphs that last for months, minimalism has ruthless power unmatched by mass.

These thoughts were on my mind last night while the others in this house, three women, were glued to the television set in the hope the Cubbies would take the pennant. I hoped the Cubs would win, too. They deserved the lifting of the curse; they are young and shouldn’t be forced to live with the guilt of their forebears. Alas, my interest was not sufficient to merit staying awake throughout the enterprise. Only one of the three, the woman from Chicago, stayed awake long enough to relish the Cubbies’ victory. The absence of a loss; that’s truly a defining negative space.

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Watching

We have a house guest, so I cannot go into the guest bedroom as usual to sit and cogitate and scheme. Instead, I must sit here in what I call the sky room, the room with monstrous windows that, when the sun is high in the sky, is impossibly hot. But at this time of morning, with the windows open, this room is cool. The huge windows allow me to pretend I am outside. My vista is magnificent. I see an enormous swath of blue and grey clouds in front of me, the winds aloft ripping them into ribbons and tearing them into sheets as they scurry from right to left. And in the distance, a massive horizontal rupture in the thick clouds reveals a beige gash, tinged with pink; it’s the sky colorized by the sun. That window in the clouds is littered with black and pink fragments of the cloud bank that once covered it. All of this drama I watch unfold before me takes place within a window of the sky framed by trees that, in this early morning light, look black and fragile as their leaves wither and fall. In the distance, I see the reflection of light on a small lake south of the Village against a backdrop of smoky hills. Looking upward again, I see the rupture in the clouds has grown huge, revealing a stretch of sky in which the clouds look like thin grey bands of round stones in a creek bed. If I could bottle mornings like this, I could put pharmaceutical companies that sell blood pressure medications out of business. But I can’t bottle these times and I can’t even begin to adequately describe them. So I’ll stop trying. Experiences are too precious and too fragile for words.

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Seven Lonely Birthdays

Seven now. Seven of her birthdays without her present to celebrate. My oldest sister died in 2010, just about three months after her November 2, 2009 birthday. On the day she died—Friday, February 19, 2010—I wrote a tribute on the blog I then maintained. Every year on her birthday, I go back to that post and read it silently. Reading it makes the pain of that day fresh, but I read it anyway because I don’t want to forget what I said. I’ll share a snippet here:

She fed people she didn’t know, she gave up her bed for people who needed to sleep, she battled the IRS and Social Security Administration for people who couldn’t do on their own, but desperately needed an advocate…She was, in many ways, the Molly Ivins of our family; she gave people hell if they deserved it, especially when they had mistreated someone else…the underdog was her pet

A few days later, I continued my recollections of my sister. I said:

She lived on a tiny Social Security check in a tiny subsidized apartment in a building operated for people near the bottom of the economic scale. She was able to see past the “need” for material things. She didn’t need a big house, a nice car, or money in the bank. Sure, she would have been more comfortable with those things, but what she needed was to be able to help other people. She needed that as much as she needed air to breathe.

Those words are true. I may have learned much of whatever empathy and sympathy I have from her. Those are lessons to be forever cherished.

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