Two Hundred Two

If you allow yourself to break free of the bonds that hold you back from accomplishing things you can only dream of, you can be and do more than you hoped. You can propel yourself well beyond your dreams; you can enter the rare atmosphere within which you can perform actual magic.

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Mint and Lamb

The aroma of crushed mint leaves clings to the bowl,
bringing with it a flood of memories of childhood.

I remember when I was introduced to lamb, gradually, with
little lamb patties surround by ample dollops of mint jelly.
As I grew older, the jelly was replaced by mint leaves, shredded
and mixed with water and sugar and vinegar.

It wasn’t long before the volume of mint with my lamb began
to decline until, finally, I didn’t need nor even want mint.
Lamb was fine all by itself. I was an adult.

Why, I wonder, does the smell of mint still seem so close,
so recent, so personal? Ah, it’s the mojitos.

When I no longer needed mint for my lamb, I needed it for my rum.
But, still, I want my lamb, my grown-up food that carries with it
the full experience of childhood. Lamb with mojitos, the perfect
collaboration between youth and old age, the merger of then and now.

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All Over the Map

This morning, finally, I will see a primary care physician for a physical.  My last physical was in December 2013, if memory serves me correctly. I intend, always, to get annual physicals, but intentions cannot buy rainbows. Or something along those lines.

Actually, I’ve had more visits with doctors of late than I’d like. I’ve been to see an ophthalmologist twice since the beginning of the year. The first time was for what I believed to be a flare-up of map-dot fingerprint dystrophy that turned out, instead, to be an early-onset cataract in my right eye.  The second time was for a follow-up and to schedule the removal of said cataract, which will take place next month, followed by removal of the one in the other eye shortly thereafter.

On the good news side, my sister is coming to visit for a week at the end of August.  And I began reading a new book last night, Everything I Never Told You, by Celeste Ng. Oh, and I suppose I should acknowledge the prospect of much better vision in short order.

This morning, I’ve spent time reading about murder at sea, courtesy of an article in the New York Times, and about a paper written by a Canadian professor of psychology who created a writing assignment that changes lives.

Earlier this morning, just after I got up, I read an answer to a question on Quora, describing the “T box,” an area of the face which, according to the author, if struck by a bullet of any calibre, will result in instant death.  Morbid stuff, that, as was the piece on murder at sea, captured on video.

My creative juices are languishing this morning, but I hope they’ll be in full bloom by the time I get to the “What’s Next” Personal Interest Group (PIG) meeting this afternoon to talk about processes and plans to get one’s books published.

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Two Hundred One

The world folds in on itself and swallows everything you were, all you hoped to be. In place of the person you planned, a new one will grow. Your old experiences and the places they led you will become nourishment for the clean slate from which you will soon spring. Don’t lose this second chance; don’t let it slip by the way you squandered that first spectacular opportunity.

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Exercise in Hopelessness

What would you call it?  A daydream? A fantasy?  I don’t know. Whatever you call it, though, I think all of us, every one of us, should have one.  I suspect it won’t be comfortable. In fact, it might be one of the most uncomfortable experiences of our lives. God, that’s probably an understatement. It might be far worse than uncomfortable.  It could be—probably will be—one of the most terrifying ‘experiences’ of our lives.

Here’s what I want you to do. Imagine yourself living through this experience; every second of it.

A sound awakens you at 3:00 a.m.  It might be loud knocks on the front door or maybe it’s the doorbell. The noise is loud, sharp, jarring.  You hear it for fifteen seconds before it finally registers with you, before it finally wakes you up. Your heart races. A thousand thoughts rush through your brain. Is someone trying to break in? Who would be banging on my door at this hour? Is it the police, coming to give me bad news about an accident?  What in the hell is it?!

You swing your legs over the side of the bed, slide your feet into a pair of slippers, stand up, and grab a robe hanging behind the bedroom door.  You turn on the hall light and shuffle to the front door, calling out “Who’s there?” as you flip the light switch for the front porch light.

“Police! Open up!”

“What? What is it?  What do you want at this hour?”

“Open the door! It’s the police. We need to talk to you.”

Looking through the peep hole on the door, you seen four uniformed officers.

“Can I see some ID, please?”

“We’ll show you our ID when you open the door! Now open up, please!”

When you open the door, the officers do not show you ID. Instead, they take you by your arms, twirl you around, pull your arms behind your back and place you in handcuffs.

“You’re under arrest. You have the right to remain silent. Anything you do or say can and will be used against you in a court of law. You have the right to an attorney. If you cannot afford an attorney, one will be appointed to you. Do you understand these rights as they have been read to you?”

“What’s going on? What do you think I’ve done?” You can feel the fear rising in you. Something very ugly is happening. You’re unsure why these officers are at your door, why they have placed you in handcuffs, why they have read you the Miranda warning.

The officers remain unmoved by your pleas. “You’ll find out more when the detectives talk to you.”

Finally, at the station, where you’ve been placed in a small interrogation room, a detective comes in.

“Do you know why you’re here?”

“No! I’ve been asking and they won’t tell me anything! I didn’t do anything! I think I need a lawyer!”

“That’s your right. But if you insist on talking to a lawyer, it’s going to drag this thing out longer than it needs to go on. I won’t be able to ask you any questions I need to ask you and we’ll just have to put you in a cell until you can be arraigned.”

“Arraigned for what! What the hell did I do?”

“Do you want to talk to talk to me or do you want a lawyer?  You can’t have it both ways. I’ll explain why you’re here, but only if we can have a conversation. If  you insist on a lawyer, I’m prohibited from explaining everything to you.”

“Okay, I’ll talk to you long enough to know what it is you think I did. But then I’m going to want to have a lawyer in here.”

“Fair enough. Here’s the deal. Your next door neighbor was killed a few hours ago. His wife says you did it, says you came in the front door with a baseball bat and beat him to death. That’s why you’re here.  So, why did you do it?”

“I didn’t do it! I don’t know anything about that! I didn’t know he was dead! This is just surreal. Why would she say I did it? If she’s claiming I did it, she must have done it to protect herself!”

“If she did it, why did we find a bloody bat in your garage? Why were your bloody fingerprints on the front door of their house?”

“I have no idea! She must have put it there. And it’s impossible that my bloody fingerprints were on the front door of their house. I wasn’t there. It wasn’t me.”

No, it wasn’t you. But that doesn’t matter. The evidence, every manufactured bit of evidence, says it was you. You, absolutely innocent of the crime, are in the early stages of a frame-up that will place you behind bars for the rest of your natural life. You feel this. You know this to be true. This is a dream that doesn’t stop.

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Two Hundred

Poetry can utter thoughts one dare not say aloud, nor commit to prose, because poetry is a language of suggestion, interpretation, influence. “It means what it means to you” or “It means what you want it to mean.” That vague avoidance of assigning meaning to words is generally applied to lyrics of songs, but it applies to poetry as well. Poetry can address what may be a cowardly need to say something without accepting responsibility for it. That is, poets, and songwriters, can distance themselves from the genesis of words and lyrics until sufficiently able to observe and interpret external responses to them. One might hope that’s a rarity and that most poets and songwriters are not cowards. I don’t know; I have no way to measure it.

I’m not suggesting what I have written is true, only that it’s plausible. And I can deny believing what I’ve written, because I have plausible deniability.

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My Father’s Birthday

Dad was fifty years old when I was born; he was born on July 18, 1903. Were he alive today, he would be one hundred twelve years old. But he died in February 1985 at the age of eighty-one, when I was just thirty-one years old. It’s a bit hard to comprehend that I’ve lived half my life without my father. I’ve gotten used to it. I celebrate his birthday every year, anyway, by trying to dredge up a few memories from half a lifetime ago.

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Mistakes Were Made

I don’t know whether to be angry at WordPress for losing what I wrote before I was able to save it or at my computer for contributing to the loss. Or, perhaps, at myself for being lazy and relying on the reliability of WordPress to look out for me, rather than creating the post in Word to start. Some people would say I should be angry at nothing and no one, that anger is an ugly and hurtful emotion. I am among “some” people, but in competitions between knowledge and emotion, emotion generally has the upper hand and a sharper tongue.

The problem with losing something I’ve written is that what I write tends to flow from my brain to the page without leaving a copy for later reference.  If I write something I think it particularly insightful or if I find the structure of a particular sentence or paragraph especially appealing, I’d better save it quickly on the page because it won’t be available in my head for long.

Two days running, after I finished writing the day’s post, I tried to post it only to discover there was “a problem.” The draft did not automatically save as it should and, when I hit the “submit” button, it went somewhere never to return. No amount of “undo” or “go back” or anything else I tried recovered the lost words. They are gone forever.

Fortunately, I think anyone reading this post will survive the trauma, as will I. But, having experienced it twice, I believe I have learned a lesson. Either write in Word from the outset or, at the very least, copy and paste into Word before hitting “submit.”

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One Hundred Ninety-Nine

I just read a piece from the New York Magazine entitled The Hard Truths of Ta-Nehisi Coates. It is the sort of thing one should not read early in the morning if one expects the rest of the day, and perhaps the rest of one’s life, to be cheery and full of optimism. Coates’ arguments that structural racism is and always has been and probably always will be firmly entrenched in America are like punches to the gut. But they are, I am afraid, legitimate punches. They are punches launched from years of experience and years of analyzing that experience. I wonder whether, collectively, whites and blacks can ever overcome that intractable reality that Coates suggests continues to permeate our social and political structures. After having read just the New York Magazine piece and not having read Coates’ book, Between the World and Me, I reluctantly tend to think he’s right.

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One Hundred Ninety-Eight

Some days, I cannot stop myself. I shake and shudder, wondering what the hell I did to deserve to live in this time, to receive all the bounty that I—none of us—ever deserved. It’s stunning, really. This charmed life in which I am mostly happy, mostly content, usually able to complain about things utterly without merit, is by itself a suggestion that my devout atheism is based on improbability.  But, then, I wake up and realize it’s all circumstance. It is. But what  absolutely joyous mistakes! I love realizing I live in a bubble of astonishing improbabilities.

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Life Through Poetry

Last night, we went to Kollective Coffee in downtown Hot Springs. The primary purpose was for me to meet with a woman to discuss the possibility of her speaking to our local writers’ group. But, since I was going to be there and yesterday was Wednesday, I thought I’d like to stay for Wednesday Night Poetry, a Hot Springs institution since 1989. Last night was the one thousand, three hundred seventy second (1372nd) consecutive Wednesday Night Poetry event, I learned  while listening to the emcee, Bud Kenny.  I also learned that Bud Kenny has written and just published a book entitled “Footloose In America: Dixie to Maine.” Being the curious sort, I checked in out online.  It’s available through Amazon.

The book details the journey he and his wife, Patricia, and their mule, Della, undertook between 2001 and 2008.  They walked from Hot Springs, Arkansas to the coast of Maine, stopping along the way to winter in Indiana, and New York. Subsequently, they walked to, and wintered in, Massachusetts and a different spot in New York.

Bud was a founder of Wednesday Night Poetry and owned the Poet’s Loft, where WNP was held for a number of years.

Since I would be there, I decided to take some poems I’d written for the “open mic” segment of the program.  I read two poems.  After the Feature Poet’s set ended, we got up to leave and Bud approached me and asked if I’d be interested in being a Feature Poet sometime soon. I said I had already been Feature Poet once, last year; he said that doesn’t matter: would you be interested in doing it again? He wanted me there three weeks from last night, which won’t work for me, but I said I could be available later. He asked me to email him dates I’d be able to read. And so I will.

Over a late dinner of pizza at Angel’s, just up the street, my wife suggested I might want to invite Bud to speak to our writers’ group.  Brilliant!  Why didn’t I think of that? Well, she did, and that’s what’s important.  And so, when I send him my available dates, I’ll inquire as to his availability, as well.

Life, brought to you through the serendipity of poetry.

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One Hundred Ninety-Seven

The world is awash in interesting people.  They’re not all people with whom you’d want to spend a great deal of time, but they’re interesting, nonetheless.  Like the guy in a long, dirty rainbow robe over his clothes; he has a pet goat and speaks of people who have too many things but who won’t offer him a job or a place to sleep.  Or the guy who cooks pizza at a downtown Hot Springs pizzeria; he looks genuinely ecstatic when I say the pizza was excellent. Or the woman whose crazed emotionality causes her to say the same thing, over and over again, using only slightly different words.   Interesting people have a way of finding their way into books, don’t they?

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Stones

I entered through the monstrous wrought iron and glass front door of the house, in spite of having been told to enter through the kitchen door in the garage. Entry through a garage is just too casual, in my opinion, especially if the house is over-sized and oozes conspicuous, ostentatious luxury. I wanted to get the full effect of walking into a rich man’s home. After waiting an appropriate time for the door bell to be answered, I opened the  door and stepped inside.

Beyond the castle gate of a door, a huge cavernous entry made me feel tiny. The flooring, slabs of polished jade, reflected the massive chandelier and the clerestory windows thirty feet above.  Thirty yards in front of me, a wall of window twenty feet tall revealed a lush, colorful garden sloping up toward a thicket of pine trees.

“I thought I told you to come in through the garage!” Anchor Steel’s words, spoken in a deep and loud voice, betrayed his anger. As I turned toward the sound of that angry snarl, I saw the shotgun in his right hand. “You’re lucky to be alive, you sonofabitch!”

“Sorry, the light wasn’t on in the garage and I didn’t want to get shot by a concerned neighbor!”

“You see any houses close enough for a neighbor to see you?” His tone suggested he thought I was stupid or lying. Or both.

“Never mind. Come on and I’ll show you.”

I followed Steel past a huge kitchen island flanked by stainless steel and glass cabinetry into a much smaller, dimly lit room. Almost immediately upon entering the door, Steel seemed to plunge in front of me. I paused for a moment, confused by his sudden drop. Ah, a steep stairway. We descended to the bottom, at least fifteen feet.

This was no rich man’s house. This was a cave. The floors were rough, yet moderately level, but the walls were craggy outcroppings of rock.  At the far end of the cave, several lights dangled from a tangle of cords, illuminating what appeared to be a dusty, scratched casket.

“Found it while I was digging for the safe room.”

“Safe room?  Like a storm cellar?”

“No. A room for my safes. Some of my valuables don’t belong on display; this is gonna be where I keep ’em.”

“Ah, okay. Well, what about that casket?” I pointed to it, the only distinguishable object in the room.”

“That’s why I called you over. I want you to appraise it.”

“The casket?”

“No, what’s inside.”

Steel trudged across the uneven floor to the casket and lifted the lid.  Inside, the length of the coffin was taken up by shiny cobalt blue fabric covering something. A corpse? An ample sprinkling of polished stones that looked like emeralds, sapphires, diamonds and rubies filled the folds of the blue fabric. A skull, with dried skin still attached and topped with wisps of black hair, emerged from the blue dress.

“Who is that?”

“I don’t know. And I really don’t care. What I want to know is this: what’s the value of these stones and are they traceable?”

I wasn’t absolutely sure what he was asking, but I had a pretty good idea.

“So, you’d like to sell the stones, quietly, yes?”

Steel looked at me hard.

“I want to know the value of the stones and whether they’re traceable.  And I want assurances you’re as discreet as I’ve been told you are. ”

He still had the shotgun.

“I’m even more discreet than you’ve heard. I’ll need to examine the stones closely and then do some research.”

“All right. But you’ll need to do the examination and research right here. If you need any resources other than what I’ve got here at the house, we’ll go get them. Together.”

Steel’s eyes weren’t hard to read.  They said, in no uncertain terms, “Ruthless.”

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One Hundred Ninety-Six

The dream involved a very tall man, a man who had been condemned to death by hanging. I was responsible for transporting him to the gallows. Somehow, using his legs, he flipped me over and lifted my body high above him. Once I was several feet in the air, he slammed me against the pavement, over and over and over again. I felt no pain. I felt only embarrassment that I had allowed him to overpower me and that I was involved in an execution of someone about whose crime I knew absolutely nothing.

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Epicanthic Folds

You’ve heard of epicanthic folds?  Well of course you have. They are skin of the upper eyelid that covers the inner corner of the eye. Epicanthic folds are largely responsible for the distinctive “Asian” facial appearance that is so often mocked or viewed with appreciative awe by Westerners.

I know this only because I heard something, probably on NPR, and decided to do some follow-up after the program.

The distinctive appearance of epicanthic folds makes me wonder how and why humans evolved in different ways. Light skin versus dark skin; blue eyes versus brown eyes; Roman noses versus pug noses; etc., etc., etc.  Many explanations exist; they are all theories, not necessarily facts.

I considered writing a story about a little boy, born to Scandanavian parents, who has distinct epicanthic folds. The story would unfold as a mystery with suggestions that the mother might have been unfaithful. But it would become apparent that was not the reason for for the eye feature. It would unfold as a simple physical deviation from the Scandanavian norm.  But before that unfolding, the boy and his parents would go through an enormous volume of shame and accusations.

Why does it all have to come back to the ugly reality? We fear and distrust people and things unlike us.

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One Hundred Ninety-Five

Stand between two tall mirrors. Watch the reflections of your body stretch into eternity. That’s how far you can see if you allow your mind the freedom you give your eyes.

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Seeing Through Shadows

Many years ago, after my mother had retired from teaching school, two friends who  taught at Del Mar College engaged her help with a text book they were writing.  She offered them advice on the structure and content of the book and helped by simply proofing the manuscript.

The book finished, they acknowledged my mother’s help when they wrote she “sees through shadows.” The acknowledgement comes to mind this morning as I see through shadows in my right eye. Later today, I visit the ophthalmologist to learn whether the early-onset cataract in my right eye is ready for surgery.  I hope so, as it’s interfering with my ability to see. I close my right eye and, instantly, my vision becomes clearer. I close my left eye and my vision changes to what I can only liken to looking through a window pane coated with cooking spray over which a super-fine particulate dust has been scattered.  I can still see through the right eye, but it’s terribly unclear.

I don’t know if the acknowledgement was a recognition of my mother’s contribution to the book in clarifying the authors’ language or whether it recognized that she helped them along in spite of her cataracts that had not yet been addressed.

In either case, I understand the appreciation, and I share it.

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One Hundred Ninety-Four

At what point does paranoia become mass paranoia?  How many people does it take? It is percentage of the population, or is there an absolute number of paranoid people who suffer under the same delusion beyond which the label applies?

I ask for good reason. A bunch of people in Texas are forming “watch” groups to follow American soldiers during the Jade Helm exercises.

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This is Not a Post

With apologies to René Magritte.

Margritti this is not a pipe

This is not a pipe.

Not a Post

This is not a post

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One Hundred Ninety-Three

All people should have a portrait made or a photo taken, at least once in their lives, raising their fists in the air and clenching a knife between their teeth. I’m seeking photographers.

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Turn Back Time

The conversion to an age-based economy began when the Dutch implemented a program called Ungdom-penge; youth-money. Five years later, almost all global economies had adopted Ungdom-penge. The changes were not in the currencies themselves, but in what currencies could buy. Thanks to the pioneering research of Jens Hjelmslevm, who created a bio-economic conversion algorithm, individuals were able to buy back years they had already lived, effectively purchasing youth.  Initially, purchases were limited to terminally-ill patients, who—through their purchases—could revert to an age-state prior to that at which their diseases had manifested.  Quickly, though, the demand for age-abatement far outstripped the limited supply.   Through some aggressive adjustments to the algorithms, though, the problem was fixed, but at a price far greater than money.  Any person could buy back up to thirty years, but the price was the immediate loss of one’s existing relationships with family and friends and the relinquishment of all worldly goods.  Following the transaction, the purchaser would be “youthified,” and presented with a debit card good for six months of middle-class equivalent living expenses.

[See, I have these ideas that don’t hold my attention long enough to finish even a page.]

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One Hundred Ninety-Two

I have a hard time trusting people who claim to dislike poetry.  Either they are lying to themselves or they are lying to me. Poetry is emotion given the gift of language; you just can’t dislike that unless you carry the same animus toward love and charity.

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The Effect of Emotion on Language

“My emotions got the best of me.”

If that isn’t a ludicrous shifting of blame to an unassailable, non-existent entity, I don’t know what it is. The statement suggests emotions are entirely separate from the person experiencing them. Yet it’s frequently used as an excuse.

A more honest statement might be, “I gave myself permission to behave without restraint and without regard to the consequences of my behavior or its impact on others.” Admittedly, it’s a more difficult sentence and doesn’t so readily shed personal blame, but it’s more true to reality, I think. It’s something like, “My dog at my homework,” but with the addition of, “after I steeped it in beef broth and put it on top of the kibble in his bowl.”

Perhaps the difference between accepting responsibility and accepting blame is akin to admitting to negligent homicide versus copping to premeditated murder. In my admittedly jaundiced view of the world, accepting responsibility implies honor in admitting a mistake; accepting blame suggests disgrace in admitting the discovery of malicious intent.

And these are the topics on my mind this morning, subjects that may find their way into my writing in some form or fashion when I write something of substance.  I entitled this post “The Effect of Emotion on Language.” That title suggests something altogether different from what I wrote, doesn’t it?

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One Hundred Ninety-One

None of us will get out of this alive. I wonder whether it matters. Our lives are so short and, for the most part, so inconsequential to humankind, to the planet, to the vast and unknowable universe. But a few lives matter to a few more. Maybe that’s the breadth of our impact on the world and the only meaning that matters. Small and focused, our lives are raindrops against spider webs; they disappear without leaving more than a temporary trace.

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Manhattan Project

The empty streets of Manhattan, Kansas, captured on live internet video cams, seemed surreal to Connor Embleman. Not a living soul stirred in the city that, one week earlier, was home to fifty-six thousand people. Though the streets were absent any traffic, stoplights continued to function, one of the only ways to tell that some of the video feeds—the ones with no trees, no bushes, no movement at all—were not simply still shots.

As fire chief of the Manhattan Fire Department, he had been among the last to leave the city in the wake of the mandatory evacuation order. He—along with Cage Mackey, the chief of police, and the director of emergency management, Sabrina Sammons—had argued against an evacuation.  No solid evidence of a real and imminent threat had been presented to them. The mayor, though, told them the matter wasn’t up for debate. She suggested to the three of them that they not go on record opposing the evacuation. If something did happen, she said, their opposition would destroy public faith in their leadership and ability to protect the public.

Neither the mayor of Manhattan nor the governor of Kansas had ordered the evacuation. The recommendation to  evacuate came from the Pentagon and was ordered by the President of the United States. Contrary to the hundreds of rumors flying at breakneck speed across the city and, indeed the world, the threat was not Al Queda or ISIL.

Shoko Matsumoto, the leader of a Japanese group that called itself Bushidō, issued the threat. Bushidō was formed in 2011 to exact revenge for what Matsumoto considered the most egregious acts of terrorism ever committed, the atomic bombings of Hiroshima and Nagasaki. Bushidō had issued direct threats before, but those threats had not made their way into the public discourse for many reasons, not the least of which was the consensus among terrorism experts that the group did not have the capacity to carry out even small-scale attacks.

The consensus about Bushidō’s impotence quickly changed with the detonation of a small nuclear device on Clipperton Island, an uninhabited coral atoll south of Mexico and west of Guatemala.  The blast took place forty-eight hours after a message was delivered, by courier, to the offices of the Consulate General of the United States in Guadalajara, Jalisco, Mexico.  The message read as follows:

In two days time, Bushidō will detonate a nuclear device on Clipperton Island to demonstrate our ability to carry out our objectives.

Following the detonation, Bushidō will carry out an act of retaliation and revenge against the United States for its brutal slaughter of innocent Japanese in Hiroshima and Nagasaki. If you follow our instructions, there will be only one act of retaliation and it will be on a far smaller scale than your attacks on our people.

We intend to repay the fruits of your Manhattan Project with our own Manhattan Project, the destruction of Manhattan, Kansas. You must accept the destruction of Manhattan, Kansas as the punishment for your country’s unspeakable deeds. If you allow the destruction to take place without attempting to find our devices or evacuate the city, the score will be settled.

However, if you attempt to find our device or if you attempt to save your people through evacuation, we will visit on you an even more horrific event, death and destruction beyond anything your country has ever witnessed, the total obliteration of another Manhattan, the Manhattan in New York.

The detonation on Clipperton Island was not noticed by the public, nor reported by the media. It was noticed, though, by the U.S. government and the detonation was detected by major global powers including among others Russia, China, Japan, and Germany. Diplomatic channels quickly assured news of the blast would not be disclosed.

Following the President’s order to evacuate Manhattan, Kansas, a second message from Bushidō reached the Embassy of the United States in Ottawa, Canada.

Bushidō is disappointed in your failure to follow our instructions. Shortly after you receive this message, the city of Manhattan, Kansas will cease to exist. One day later, New York City and, specifically Manhattan, will pay for your President’s bad faith decision.”

Connor Embleman’s eyes were on the monitor when the image of empty street disappeared, replaced by broken, chaotic black and white lines.  Sixty miles away, sitting in the Topeka Fire Chief’s office on Southeast Jefferson Street, Connor felt the concussion of the blast.

In Washington, DC, the President of the United States watched as a video feed from a camera trained on Manhattan from thirty miles away displayed the brilliant blast and the ensuing mushroom cloud. The moment the explosion took place, her eyes widened and her lips parted slightly as involuntarily she sucked in air.

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